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Ida Whipple Benham, ca. 1897

Ida Whipple Benham (1849-1903)

Quakertown’s Poet

 

Ida Whipple Benham was born in Quakertown in Ledyard, Connecticut, in 1849.  She was active in the peace movement both locally and nationally, and was known for her poetry, publishing a number of poems in national periodicals.  At least one of her poems was set to music (“I Wait For Thee,” with music by C. B. Hawley, published in 1900).  In addition, she contributed articles to local newspapers.  She died in 1903, and is buried in the Ledyard Union Cemetery (Quakertown). 

 

The following profile of Ida Whipple Benham appeared in 1897 in a biographical encyclopedia of nineteenth century American women:

 

BENHAM, Mrs. Ida Whipple, peace advocate, born in a farmhouse in Ledyard, Conn., 8th January, 1849.  She is a daughter of Timothy and Lucy Ann Geer Whipple, and comes from a Quaker family.  At an early age she began to write verses.  At the age of thirteen years she taught a country school.  She was married 14th April, 1869, to Elijah B. Benham, of Groton, Conn.  She was early made familiar with the reforms advocated by the Quakers, such as temperance, anti-slavery, and the abolition of war.  She has lectured on peace and temperance.  She is a director of the American Peace Society, and a member of the executive committee of the Universal Peace Union.  She takes a conspicuous part in the large peace conventions held annually in Mystic, Conn., and she holds a monthly peace meeting in her own home in Mystic.  She has contributed poems to the New York “Independent,” the Chicago “Advance,” the “Youth’s Companion,” “St. Nicholas,” and other prominent periodicals.

 

Willard, Frances E., and Mary A. Livermore, eds.  American Women: Fifteen Hundred Biographies—A Comprehensive Encyclopedia of the Lives and Achievements of American Women during the Nineteenth Century.  New York: Mast, Crowell and Kirkpatrick, 1897.  p. 74.

 


 

“Keep Me From Sinking Down.”

 

O MIGHTY patience of a captive race

That triumphed o’er all wrong!

That shone, like joy, on many a dusky face,

And sang itself in song!

Bravely they sung, those gentle minstrel bards,

The pangs of grief to drown,

Sweetly they sang, “O Lord, O my good Lord,

Keep me from sinking down!”

 

Of all the psalms that came in quiet hours

To soothe their cares away,

Falling upon their souls like dew on flowers.

In the late twilight gray, —

Of all the songs their buoyant hope that stirred,

Or raised a master’s frown.

I hold this chief and dearest: “O my Lord,

Keep me from sinking down!”

 

Be this thy song, O Soul! a legacy

From days of darkness dire;

The slave hath borne it up to liberty

Through sacrificial fire!

Thou hast thy thralldoms—many a chain and sword

Would hold thee from the crown:

This be thy song, thy ceaseless prayer: “O Lord.

Keep me from sinking down!”

 

 

Source: Christian Union.

 

 


 

“Keep It Not Idly By Thee.”

 

“KEEP IT not idly by thee—hoard it not!

Thy friend hath need of it; behold, he stands

Waiting to take the bounty of thy hands;

Pay him the debt thou owest, long forgot,

Or—hast thou paid already—ease his lot

Of that which he would sell, or loaf, or lands—

Whate’er his need can spare and thine demands;

So shall thy wealth be clean and without spot

 

Dost thou not know? Hast thou not understood?

The stagnant pool breeds pestilence, disease;

The hurrying stream bears bounty on its tide.

Pass on thy gold, a messenger of good;

Swift let it speed on gracious ministries;

Wing it with love and let its flight be wide.”

 

 


 

“Critic and Poet.”

 

“THOU SHALT do this and undo that,” the toilsome critic said;

but the poet strayed to Helicon and touched his lips instead.

Across the mirror of the fount he saw fair visions pass,

But never once the critic’s face dark frowning from the glass.

The poet seized his tuneful lyre, and joyfully sang he;

“O hear! O hear!” the critic cried, “he learned that song of me!”

 

 

Source: The Century, vol. 51, issue 3 (Jan 1896).

 

 


 

from “The Listening Woods.”

 

I LOOKED at the shadowed mosses,

I looked at the nests overhead,

I looked at the small brook dreaming

Alone in its sandy bed.

 

 


 

“The Scarlet Pimpernel.”

 

O HAVE you seen the scarlet pimpernel,

The wild, sea-flavored blossom of the strand,

The token flower, the pledge of sea and land,

And have you learned to heed its secret spell?

Aurora’s friend, it loves the morning well,

And you shall find it open to your hand

The sunny morning through, —but understand

Storm clouds will close it closer than a shell.

 

Love is the pimpernel: then do not wait;

Go in the morning, faithful to the hour,

Go when thy lady keeps her matin state;

Her heart is coy, and closes like a flower.

Go in the sunlight, haste and claim love’s boon,

Nor tempt the changing skies and afternoon.

 

 

Source:  Crandall, Charles H. Representative Sonnets by American Poets. Boston: Houghton, Mifflin and Company, 1890.  p. 111.

 

 


 

“Gentle and Mighty.”

 

THE Child that in the manger lay,

A babe, a lamb, yet strong to bless,

Dwells in the contrite heart alway,

And proves the power of gentleness.

 

“Joy to the world, the Lord has come!”

“Glory to God, to man goodwill!”

Now hush the bugle and the drum,

And bid the haughty strife be still.

 

What lips were loudest in the fray

Of wrathful words, what hands would smite

With fist or sword, be still to-day,

And learn the law of peace and right.

 

Such wisdom as from self proceeds,

The sapient lore of worldly lust,

Forget, with all those ruthless deeds

That, from the dust, return to dust.

 

Oh, not with boastful threat and blow

Doth man achieve his true estate,

But loving, trusting, toiling, so

God’s gentleness doth make him great.

 

Ye leaders of the multitude,

With their up-reaching hands in yours,

Lead to the one eternal Good,

The Love that ransomed, heals, endures.

 

Yea, all ye stewards of the Lord,

Make haste to do His perfect will;

Obey the voice: “Put up the sword!”

Obey the voice: “Thou shalt not kill!”

 

And ye who stretch your limbs at east,

Forgetful of a brother’s claim, —

Down, from your couches to your knees!

Thence rise to work in Jesus’ name.

 

White is the harvest, large the yield;

Lift up your eyes and see the glow

Of fair wheat shining in God’s field.

The call is sounding, rise and go.

 

 

Source: American Friends’ Peace Conference held at Philadelphia, Twelfth Month 12th, 13th and 14th, 1901. Philadelphia: Published by the Conference, 1902. pp. 111-112.

 

Background: “Gentle and Mighty” was read at the Americans Friends’ Peace Conference in Philadelphia on December 13, 1901.  The reading was introduced by William W. Birdsall, president of Swarthmore College, who said: “Before calling for the first paper of the afternoon, I am pleased to be able to announce a more complete carrying out of the idea of this Conference than was at first thought practicable.  It gives me pleasure, as I have no doubt it will give your pleasure, to know that, at the request of the committee, Ida Whipple Benham, of the Rogerene Friends, Mystic, Conn., whose poetic work is well and favorably known through some of our leading journals, has prepared a poem, which will be read to us by Rufus M. Jones.”

 

 


 

from “Peace.”

 

WHERE IS the nation brave enough to say,
“I have no need of sword, or shield, or gun;
I will disarm before the world this day;
I will stand free, though lonely, ‘neath the sun.

 

“I fear no foe, since I am friend to all;
I fear no evil, since I wish no harm;
I will not keep my soldier sons in thrall;
They shall be slaves no more—let them disarm!”

 

That State will stand upon the heights of time
Foremost in honor, bravest of the brave;
Girded with glory, radiant, sublime.
This shall her title be, “The strong to save!”

 

While other nations boast of arms or art,
She, ‘lone of earth shall stand, the truly great!
Brave in forbearance, loftiness of heart.
The world shall see, in her, a Christian State.

 

Boast not your bravery, O, ye fearful ones,
Ye trembling nations armed with coward steel,
Who hide yourselves behind your conscript sons
And trample freedom with an iron heel!

 

Vaunt not your righteousness, nor dare to call
Yourselves by His high name, the Prince of Peace.
The holy Christ of God, Who died for all,
That love might reign and sin and sorrow cease.

 

My country! O, my country! strong and free,
Dare thou the godlike deed that waits thy hand.
Within thy walls wed Peace to Liberty—
Say to thy soldier sons, “Disarm! Disband!”

 

Set thou the step for Freedom’s stately march;
The Old World after thee shall fall in line.
Follow the pole star crowning heaven’s high arch,
The Star of Peace with radiance divine.

 

“All men are equal!” graved in lines of light,
Through storm and stress this motto doth not fail;
All men are brothers! set thy virgin might
To prove man’s brotherhood; thou shalt prevail.

 

Thou shalt prevail, my country, in the strength
Of Him who guides the spheres and lights the sun;
And joy shall reign through all thy breadth and length,
And thou shalt hear the gracious voice, “Well done!”

 

 

Source:  Bolles, John R., and Anna B. Williams. The Rogerenes: Some Hitherto Unpublished Annals Belonging to the Colonial History of Connecticut. Boston: Stanhope Press, 1904.  p.314.

 

 


 

“The Banquet.”

 

YE SYBARITES! who linger at the board

Where the rich cates are served, the choice wines poured,—

Know ye the fields that bare the bread you break?

Know ye the vineyards ravished for your sake?

 

Your bread is white and light; not so the hand

Which wrung that substance from the stubborn land;

Heavy, and hard, and callous to the touch,

The hand that kept so little—gave so much!

 

Your wine is soft and sparkling; the romance

Of sunny Spain is there, the smile of France—

Thus to your taste! Drink deeper—ye shall find

The purple dregs with drops of toil imbrined.

 

Whose toil? Not yours who sit and sup at ease,

But his whose life is ever on the lees,

Whose cup is but a black and bitter brew—

All he has left, good friends, from serving you!

 

Ah, take your fill—but know that, while ye feed,

The harvest fields are hungry from your greed!

The vineyards drain anew their crimson flood,

Thirsting, that ye may banquet on their blood.

 

Take ye your fill—but quickly! for the dawn

Discrowns your revels—ay, the feast is gone!

Go forth, and with the toilers bear your part,

Serving and served again with equal heart.

 

 

Source:  The Nationalist, a Monthly Magazine Conducted by Henry Willard Austin. Vol. 2. Boston: The Nationalist Educational Association, 1890. p. 139.

 

 


 

“Polly’s Pansies.”

 

POLLY'S Pansies grow so large and fair,

Bright and fragrant, that we can but praise them.

“They’re the finest anywhere:

Tell us, won’t you, Polly, how you raise them?

What’s your secret, little girl?” Then Polly,

With a look half bashful and half-jolly,

Smiles upon her flowers, and bends above them:

“This is all the secret, I just love them!”

 

 

Source:  Pratt-Chadwick, Mara Louise. The Fairyland of Flowers: A Popular Illustrated Botany By Mara Louise Pratt-Chadwick. Boston: Educational Pub. Co., 1890.  p. 186.

 

 


 

“Who Owns The Apple Tree?”

 

THE ROBIN thinks the apple tree

Is all for him, for him,

As he tucks his head beneath his wing

Upon a leafy limb.

 

The maiden thinks the apple tree

Is all for her, for her,

As she decks with twigs of rosy bloom

Her gown of gossamer.

 

The farmer thinks the apple tree

Is his from top to root,

As he nails the barrel head above

The red and yellow fruit.

 

 

Source:  Todd, Emma J. and W. B. Powell. The Normal Course in Reading. New York: Silver, Burdett and Co., 1895.  p. 69.

 

 


 

“Requiem.”

 

YE SOLEMN bells in the high belfry swinging

Muffled in weeds of wo,

Toll, toll! to the deep miserere ringing

From the groined aisles below!

Thou grizzled sexton, shake them to and fro,

Thy tremulous hands like birds that would be winging

Though tethered to the leash; O soft and slow

Sweep the long curves in cadence with the singing;

Toll!

 

Toll for the dead! toll for the dead—our brothers

And those they called the foe,

The thousand sons of mourning Spanish mothers,

Lost where the sea-winds blow.

Toll! let the tone reverberating wo,

The sob, the muffled grief that chokes and smothers,

From the deep silence of the belfry flow,

A requiem for our dead and for those others;

Toll!

 

Whose voice called to the Sword, “Be thou our master”?

Whose breath was quick to blow

War’s smouldering coals into a wide disaster?

Whose hands made haste to sow

Hate’s poisonous tares among the wheat to grow?

What specious tongue was bold to gloze and plaster

The front of truth lest men its face should know?

Who led the sheep unto the wolf—what pastor?

Toll!

 

Toll! toll, ye bells! for manhood’s choice and flower

Slain in the morning glow.

Toll! let the knell roll from your ancient tower

For joy and hope laid low.

Toll, toll! ‘twas man that dealt to man the blow!

Would he had vindicated reason’s power,

Would he had overcome by faith! but no,

The doves fly moaning from your ivied bower—

Toll!

 

 

Source:  Advocate of Peace, The, vol. 60. Boston: American Peace Society, 1898. pp. 255-256.

 

Background:  This poem was written in “Enfield, England, June, 1898.”

 

 


 

“Weeding.”

 

DEATH WENT weeding, weeding,

His sickle over his shoulder;

The weak, the old, the over-bold,

Grew weaker, wanner, colder.

He weeded them out of the garden,

The frail folk racked with pain,

The sick, and the old, and the over-bold, —

And let the strong remain.

 

Now Death goes weeding, weeding, —

The sword the tool he uses!

He gathers the fair, the debonair,

The young, —and the old refuses.

He gathers out of the garden

The young and the strong and the gay,

He flings them far to the ditch of war, —

And the others be bids “Stay!”

 

So here in the ravaged garden

And out in the cornfield yonder,

The weak remain—lonely, in pain, —

And work, and brood, and ponder

How Death digs out of the garden

The strong, and the brave, and the gay,

The flower of the years, —with blood and tears, —

And flings them as weeds away.

 

Source:  Advocate of Peace, vol. LXIV. Boston: American Peace Society, 1902.

 

 


 

“The Friend of Peace.”

 

HE WHO declares himself of war the foe,

How few he finds who understand his speech!

How many with vague apprehension reach

Midway to listen; but to hear, to know,

Vex not their easy souls! The tinsel show,

The boastful wrath of war, more loudly preach

Than may the poor disciple who would teach

A martial age the Master’s will to know.

 

“Unpatriotic!” “Treasonable!” “Mad!”

Because he pleads the right of reason’s sway,

And holds the truth as taught by Christ our Lord.

Fierce epithets! But earth shall yet be glad,

Greatly rejoicing that some dare obey

When Christ the King commands, “Put up thy sword!”

 

Source:  Advocate of Peace, vol. LXV. Boston: American Peace Society, 1903.

 

 


 

“The Siege—A Lullaby.”

 

THE MOTHER bent above her child

With a great fear in her breast;

But to  his eyes she softly smiled

As she sang a song of rest;

“And what of the night?” her heart inquired;

(But her lips sang “Lullaby!”)

“Amid these woes who knows—who knows—

When it is time to die?”

 

She saw afar the flaming cloud,

She heard the cannon roar:

“The storm grows loud; the tempest proud

beats heavily on our shore.

And what of the dawn?” her heart inquired;

(But her lips sand “Lullaby!”)

“Amid such foes who knows—who knows—

When it is time to die?”

 

A mouse ran out of the cupboard door,

Its lean hide lank and gray:

“Would I had more to feed you—sore

Will the hunger be to-day!”

A spider spun his silken net

For the midge on the window-sill:

“So busy yet with traps to set?

Will you be dining still?”

 

“Oh, child! my one bird in the nest,

This is the sorest smart,

That on my breast you find no rest—

The hunger eats your heart!”

“And what of the day?” her heart inquired;

(But her lips sang “Lullaby!”)

“The battle grows; who knows—who knows—

If it be time to die!”

 

Source:  Advocate of Peace, vol. LXIV. Boston: American Peace Society, 1902.

 

 


 

“June in a Garden.”

 

AM I in fairyland? Ah, no!

Nor dream nor faëry could show

The joy of June when roses blow—

When blows the rose, and lightly stir

Dew-diamonds on the gossamer

The spider wife has wrought for her.

 

O sounds, joy multiplied, that race

Through all this sunny garden place,

And knit and blend and interlace

On wing of bee and humming bird,

And wren and robin sweetly stirred

To soft caprices without word.

 

Now, there be nights and days between

The joy-days, when one guessed, I ween,

A wo, a wail, a battle scene;

But here beneath this dazzling sky,

So glad, so tender, and so high,

Could we believe it, you and I?

 

God made so good a world for man,

So fair since very time began,

And love of Christ was in the plan, —

Ah, who dare dream, or dreaming, say,

The men He made will strive and slay

On such a day, or any day?

 

What eye has seen that awful sign?

Your eye, my friend? No, no, nor mine!

Hearts broken, blood like seas of wine, —

No, no! How softly sways the grass!

The lake is like a looking-glass.

Hush! Did you hear a bullet pass?

 

Only a bird is slain; but lo!

A stain is on the petal-snow,

The wings just flutter, sinking slow.

It seems, almost, the thing might be

Hearts pierced, a purple-flowing sea,

And June itself a misery!

 

Source:  Advocate of Peace, vol. LXIV. Boston: American Peace Society, 1902.

 

 


 

“Expectation.”

 

UNDER THE trees my Heart and I together

  Await the step that nevermore will come;

  Await the greeting word forever dumb!

I know not how—whether we dreamed or whether

My Heart and I, seeing the new-blown heather,

  Took hope from its full glory; or the sum

  Of earth’s wide joy, moving our pulses numb,

Drew us abroad into the sweet warm weather.

We conned the lesson well, long, long ago,

  My Heart and I—we conned the lesson well

     In summer heats, in winter’s stubborn cold!

That he will come no more, we know, we know;

  Yet we expect him more than tongue can tell,

     And listen for his coming as of old!

 

Source:  The Independent, June 26, 1890; reprinted in Charles Wells Moulton, The Magazine of Poetry, 1890.

 

 


 

“Heart Husbandry.”

 

I PLANTED scorn: it died in the garden mold.

I planted love: it bore a flower gold.

I planted doubt: it withered, lacking root.

I planted faith: it ripened precious fruit.

 

Source:  Lippincott’s Monthly Magazine, v. 70 (July-Dec. 1902).

 

 


 

“Pie Country.”

 

“NOW, DEAR Mrs. Newcombe,” she said, “if you’re wise

You’ll give up your scruples and learn to make pies.

There’s cherry and currant and apple and peach

And lemon and grape—I have rules, dear, for each—

There’s raspberry, blackberry, blueberry, mince,

And pumpkin, and prune, and—well, no, not quince—

But all other fruits, I am certain, will rise

To meet the demand in the making of pies.

 

“They are handy for breakfast, for dinner and tea,

And they’re handy for lunches as all will agree;

Why, up at our house we just make it a rule

To always send pie for the children at school;

And I’m sure I don’t know what our men folks would say

If ‘twere not set before them at least twice a day.

Our kneading board’s worn till it really looks thin,

And mother has ordered a new rolling-pin.

 

“There’s scarce an occasion when pie isn’t nice

Unless ‘tis a wedding—and Uncle James Rice,

When his Sarah was married, was really unable

To make out a meal without pie on the table;

So they brought him some mince pie his hunger to whet,

And he said ‘twas the best piece of wedding cake yet.

Oh, yes, you will find, if you open your eyes,

That the folks in this region are bound up in pies.”

 

Source:  Good Housekeeping, v. 7 1888 May-Oct.

 

 


 

“A Song of Singers.”

 

I WILL sing you a song of singers:

     Listen and you shall hear

How the lark on high, in the breast of the sky,

     Sings to the opening year.

In a still blue place for a moment’s space

     All song from wing to crest,

He sings in the sun—and the rapture done,

     Sinks to his silent nest.

 

I will sing you a song of singers:

     Listen and you shall hear

How the wind of the south, with a sweet warm mouth,

     Sings in the heart of the year.

It is hey! for the fields of roses, and hey! for the banks of thyme;

And hey! for the shady closes with a lilt and a laughing rhyme!

And the lake will ruffle its bosom,

     And curl its foamy crest,

When the murmuring sigh of the wind comes nigh

     The lilies upon its breast.

 

I will sing you a song of singers:

     Listen and you shall hear

The song close hid of the katydid,

     In the falling of the year.

Wide in the leafy ranges,

     He sings in the waning light,

And his love-song knows few changes

     Under the stars of night.

Shrill in the forest reaches,

     In doublet of satin green,

He sings, as his wild mood teaches,

     His one song to his Queen.

 

I will sing you a song of singers:

     Listen and you shall hear

The song of the snow, soft, soft and low,

     In the nighttime of the year.

Out of the deeps of heaven,

     All in a pure white glow,

Under the stars of even,

     Sings the angel of the snow.

And the heart must learn to listen,

     And bend its wayward will,

While the frost flakes glow and glisten

     And the winter air is chill.

And the song is pure as pity,

     And as glad as glad can be—

For an angel sings with brooding wings

     The song of charity.

 

Source:  The Magazine of Poetry and Literary Review, 1895.

 

 


 

“In The Barn.”

 

“CREAK, CREAK!” the great doors blow apart:

     I stand between them in the shade,

And look to see the bright heads start

     Out of the cubby-house we made.

 

Alas, alas! no children here

     To help me in my morning’s play:

Who is it says ‘tis many a year

     Since all the children went away?

 

A warm south wind comes floating through,

     With chaff of hay-fields on its wings;

And just outside, in sun and dew,

     The very same cicada sings,—

 

The same we heard, say, yesterday,

     Like some great sibyl from afar,

Hushing the rapture of our play

     By its shrill prophecies of war.

 

A very royal place was this,—

     The throne-room of our childish play,

Where all the kings and queens of bliss

     Came on their coronation day.

 

You say we lost them long ago,—

     The crowns,—and that the realm is drear?

My friend, we never lost them so

     But we can always find them here.

 

It is too still: the very birds

     In their clay grottoes overhead

Twit guardedly, as if their words

     And ours were better thought than said.

 

Yet somehow, when the shadows flit

     Around me from their elvish wings,

They come like pleasant letters, lit

     With messages from other springs!

 

“Creak, creak!” the great doors blow apart,

     Like dusky leaves to greet the noon,

That comes to life and home and heart,

     As to the morning, oh, how soon!

 

Source:  Old and New, vol. 10. Boston: Roberts Brothers, 1875.

 

 


 

“The Listening Woods.”

 

This musical setting based on the words of Ida Whipple Benham’s poem “The Listening Woods” appeared in The Progressive Music Series: For Basal Use in Primary, Intermediate, and Grammar Grades by Horatio Parker, et al. (Sacramento: California State Printing Department, 1922).

 

'The Listening Woods'

 

 


 

Titles of other poems by Ida Whipple Benham include:

 

“Dress,” Youth's Companion Mar 3, 1898.

“Frost and the Flowers,” Houghton Library, Harvard College Library; Autograph File, B.

“Hard Times,” published by the American Peace Society, Boston. "Letter Leaflet No. 2. Price 20 cts. per hundred, prepaid."

“Listening to the Lark,” Youth's Companion Apr 26, 1894.

“The Little Brown Seed in the Furrow,” St. Nicholas Magazine Jul 1877.

“Still My Valentine,” Youth's Companion 1889, v. 62, p. 82.

“Thanksgiving Hymn,” 1891.




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