JULIA CROUCH SHE WAS THE MIDDLE child in
a family of nine, one of eight girls. Born in 1843 to Zachariah and Delight
(Watrous) Crouch, Julia Crouch grew up in Quakertown (Ledyard, Connecticut) on
her father’s ninety-acre farm. The farmhouse, built in the late 1700s, still
stands, east of Colonel Ledyard Highway, on the road known as “Lambtown
Extention”; but its old apple orchard is gone, the site of a modern house. She
would remember “the dear old home where we have all lived and loved and been
happy”; and would write of an orchard, no doubt like that of her childhood
memories, “long, and rolling, and wide, surrounded by a mossy stone wall, and
shadowed by numerous apple-trees, —not the trim, stately apple-trees of modern
times, but leaning, and crooked, and bent, with now and then a straggling limb
brushing against the dark grass, and forming a mysterious nook, where
long-stemmed dandelions sprang up, and opened their charming crowns of gold in
all modesty and simplicity.” Hers
seems to have been an extraordinary family. Her father made a comfortable
living managing his farm and operating a small factory where hinges were
produced. He was able to buy his family a piano which, at his death in 1888,
was valued at $150.—equal in value to all other household furnishings and books
combined. Her only brother, William, fought in the Civil War, Twenty-sixth
Connecticut Infantry, Company D. Her youngest sister, Emeline, attended Music
Vale Seminary in Salem, Connecticut, the first music school to be established
in America. Her oldest sister, Delight, married Enoch Whipple, deaf from birth,
who was taught by his father, Jonathan Whipple, to read lips and to speak with
such ease that men who had done business with him for years were astonished to
learn of his handicap. Julia
herself would remember a father and mother “whose affection for me, and
interest in all my plans, have never failed.” Perhaps what she would write of
the three successful country girls of her imagining could be said of her and
her sisters: “Owing to their limited resources, to educate themselves
respectably had taken more time than is usually given to finishing young
ladies’ education.” Nevertheless, she attended Mount Holyoke Female Seminary in
South Hadley, Massachusetts, and by 1871, had produced a novel that was
published twice (1871 and 1873) by Houghton, Mifflin and Company of New York. Three Successful Girls tells the
story of three sisters raised in the countryside—one musical, one artistic, one
literary—who, in spite of the opposition of less daring friends, spend a winter
living by themselves in New York City in order “to learn something, or try to,”
looking for “opportunities,” opportunities that “come to those who seek
them—and make them.” In
appearance, Julia was (in the words of the Norwich Bulletin) “full
medium height” with “elegant form… very fair complexion, keen, sparkling black
eyes.” By the early 1880s, she had made her debut on the public lecture
circuit, represented by the American Literary Bureau, for which she delivered a
talk entitled “Wisdom and Folly.” On the platform, according to the New
London Democrat, “she bows gracefully and modestly to her audience, and
proceeds in a most unexceptionable manner, with elegance of movement as well as
eloquence of utterance.” The Mystic Pioneer wrote of her “clear, silvery
voice.” Besides
lecturing, Julia maintained friendships with other writers. One of these was
Minnie Davis of Hartford, Connecticut, the author of two novels promoted by the
Universalist Church and, through most of her life, an invalid living with
constant pain in a darkened room, forced to dictate her compositions to a
secretary. Of her Julia wrote, in a tribute in the Norwich Bulletin: “To
meet Miss Davis once, causes you to crave another meeting; to know her well,
causes you to love and reverence her, to never forget her, and to feel the
blessedness of her influence forever.” Julia continued: “You think of [Miss
Davis], of what she has done even in her weakness, and what she might do if she
had your strength; and your own trials, and the obstacles which seemed like
mountains in your path, float off in the air like bubbles; you feel your nerves
growing steadier, and your arm stronger, and you feel that you can struggle in
the arena of life with the dauntless spirit of the gladiator.” Julia
died in 1887, one month before her forty-forth birthday. She left behind a
husband, Joseph Culver, and one son (Clarence, then age fourteen), who would
himself die childless in the 1950s. Not one of her parents’ nine children,
brother and sisters, lived to be seventy years old—though their father died at
seventy-nine, and their mother at eighty-five. Only the oldest child, Delight,
outlived both parents. The first child to die, Rosilla, died in 1868. When
their father died twenty years later, all but Delight were dead already. In
January 1874, Jane, two years younger than Julia, died in Denver, Colorado, and
her body was returned by train to Quakertown where she was buried. Why had she
been staying in Denver? Often those who suffered from “consumption” were sent
there to breathe the mountain air in hope of slowing the disease’s progress.
Her father, as he wrote his own last will and testament several months before
her death (October 1873), wrote of being “aware of the uncertainty of life.” Julia is
buried among her sisters and parents in Quakertown Cemetery, a short walk from
the house where they lived. Her gravestone, detached from and leaning on its
base, is weathered and covered with moss, her name scarcely legible. But in the
words of her novel it is possible to hear the echo of her ideals and the
nurturing love of her family, to see, however faintly displayed, “the faces of
that loving group shining with peace.” —D. I.
Schultz, revised 2007 |
Contents The complete text of Three Successful Girls is viewable in HTML on this site, organized into four webpages each containing six or seven chapters.
The Zachariah Crouch House in Quakertown as it appeared in June 2002.
Julia Crouch's limestone gravemarker in Quakertown Cemetery, June 2002. “Salem History.” Salem Historical Society.
http://www.salemct.gov/history.htm.
June 25, 2005. [re: Vale Music
Seminary] |
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